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dc.contributor.authorHaraldsen, Heidi Marian
dc.contributor.authorSolstad, Bård Erlend
dc.contributor.authorGustafsson, Henrik
dc.contributor.authorNordin-Bates, Sanna M.
dc.contributor.authorFredriksen, Danielle C. S.
dc.contributor.authorKnight, Camilla J.
dc.date.accessioned2023-10-17T08:16:03Z
dc.date.available2023-10-17T08:16:03Z
dc.date.created2023-05-06T11:27:51Z
dc.date.issued2023
dc.identifier.citationFrontier in Education. 2023, 8, Artikkel 1148922.en_US
dc.identifier.issn2504-284X
dc.identifier.urihttps://hdl.handle.net/11250/3096883
dc.descriptionThis is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.en_US
dc.description.abstractThe purpose of the present study was to explore perceptions of shared reality in teacher-student partnerships in ballet, and how these perceptions were related to experiences of quality in the relationship and well-being. A longitudinal qualitative study design was adopted, with three female ballet students and their teacher participating in three semi-structured interviews each over an eight-month period. Data were analyzed using a combination of thematic and narrative analysis. Findings indicated that across the teacher-student relationships there were perceptions of a shared reality only on the professional and distanced level and not on a relational and personal level. This was achieved by a common experience of what matters in the world of ballet education as well as students finding their teacher as trustworthy. Furthermore, it appeared that the authoritarian apprenticeship culture in ballet, where the teachers give clear instructions and feedback, and where the student role is to listen and adapt to the teacher’s instructions, was a barrier to fully achieving a shared reality on a personal and deeper level. In turn, this influenced the quality of the relationship and the wellbeing of both teacher and students. The present study offers critical reflections on the cultural backdrop of teaching and learning in ballet and highlights the importance of teachers to facilitate a supportive, unconditional, and trustworthy relationship so that they can work together in a more productive manner.en_US
dc.language.isoengen_US
dc.subjectapprenticeship learningen_US
dc.subjectballet dancersen_US
dc.subjectinterpersonal trusten_US
dc.subjectlongitudinal qualitative researchen_US
dc.subjectnarrative inquiryen_US
dc.subjectshared reality theoryen_US
dc.subjectteacher-student relationshipen_US
dc.titleAn exploration of reciprocity among teacher and students in female pre-professional ballet education: A shared reality theory perspectiveen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2023 Haraldsen, Solstad, Fredriksen, Gustafsson, Nordin-Bates and Knighten_US
dc.source.pagenumber12en_US
dc.source.volume8en_US
dc.source.journalFrontiers in Educationen_US
dc.identifier.doi10.3389/feduc.2023.1148922
dc.identifier.cristin2145939
dc.description.localcodeInstitutt for idrett og samfunnsvitenskap / Department of Sport and Social Sciencesen_US
dc.source.articlenumber1148922en_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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